dramaturgy: ([Tudors] Katherine Howard.)
Om nom nom Indian food. I just met [livejournal.com profile] dmp and her affianced and they are so much fun. I even think I managed to stay away from talking about myself too much, hooray! They looked awesome in their steampunk gear and I felt rather underdressed in my jeans and Hawkeyes t-shirt. They are here for I-Con and I am a little miffed that this is taking place at my OWN SCHOOL and I had to hear about it from Diana.

But yes. Anyway. I have a picture of my car!

Cut. )

He's pretty. I'm pretty sure it's a he. I don't have any ideas for names yet. He rides very smooth though. Wednesday morning was a headache because I was trying to figure out parking permit stuff. I called the office when they opened and they said if I put my stuff in online it would be ready by nine. I cheerily said okay!! and went down there. I got there about ten after nine and they couldn't find it. So they said I'd have to go to the bursar's office. I went to the bursar's office, and they said I'd have to bring in my registration. So I went and got it out of my window, but it's only a temporary registration, which they don't take. At this point I was pretty pissed because, what the hell people. I think the lady felt bad for me because I'm sure I looked like my head was going to explode, and so she got the student parking people to write me a temporary parking pass. Argh.

Wednesday night, I saw The Pride with [livejournal.com profile] strangerface and her sister, which I loved. I wrote a nice, thoughtful post on my theatre blog, and you can read that if you want, but here I'm going to do the fangirling.

If you've read this journal ever, you know that Ben Whishaw is one of my favorite actors and if they sold tickets to a performance of him reading out of a phone book I would probably go. But it was tired, it was a Wednesday, and I was getting a little headachey, so I was torn on whether or not to try and stagedoor this mofo. We walked out and kept on walking, and I left Emily and Bridget to take the 1 up to Penn. Except I went into the 'Downtown' entrance which is not where I needed to go. So I got up the stairs and it hit me: that was a sign. I went back to the theatre.

I wish I'd been cool enough to say something besides HI THANKS FOR COMING TO NY I LOVED THE PLAY CAN YOU PLEASE SIGN, but [livejournal.com profile] roseanna is going to teach me her ways. Apparently she can channel her nervous energy into being cute rather than awkward. But yes. Hugh Dancy was a total gentleman with a gorgeous smile and almost a little too [livejournal.com profile] codeswitching for me to not be weirded out (I'M SORRY I KILLED YOU, luckily, did not fall out of my mouth). Adam James was hilarious and now when I watch Planet of the Dead I'm going to be on the lookout for him. Ben Whishaw BEN WHISHAW was very nice, a bit... shyer seeming, but I did the hi, hello, thanks for the show bit, and told him I was a very big fan -- god, why am I so cliche? He thanked me, said "Cheers" (the British are so adorable), and by this time the others who had stuck around to stagedoor had realized that he was the other guy. Andrea Riseborough was lovely as well. She reminded me a lot of a girl I was at Coe with in theatre. XD None of them were a bit short, and were very happy to be there, I think.

I was too nervous to get pictures, but, playbill? )

Also, only somewhat unrelatedly as one of my first impressions of Ben was "he's a bit shorter than I thought he might be," I realized that thanks to the freakishly tall men in my family, I have a skewed perception on what "tall" is. Being 5'8" myself probably doesn't help.
dramaturgy: ([Celebs] Moar Ben Whishaw.)
Today was GOOD. I got my car tonight and he is FABULOUS. I took a picture but it was dark and since it's a dark blue car, it didn't turn out. You could see the headlights and that was about it. But I promise, it's cute. I don't know what I'm going to name him, but I do think it's a him. You guys can help me decide!

I have to go to the city tomorrow but tomorrow night I'm going to see The Pride with [livejournal.com profile] strangerface and twin (seeing the two of them together is the trippiest thing, like THERE REALLY ARE TWO OF THEM). And I'm excited. I'm excited because not only were tickets on TDF when their online box office failed me again, but IT IS HUGH DANCY AND BEN WHISHAW. THIS IS A BIG DEAL.

I am so unprofessional sometimes, but I don't even care.
dramaturgy: ([Celebs] DT is smiling.)
http://offbroadway.com/node/819#

BEN WHISHAW. HUGH DANCY.
HUGH DANCY. BEN WHISHAW.

<3333333333333333333333
dramaturgy: ([Buffy] I'll take care of your money!)
So I stayed up all night to marathon the writing of my Fangirl Portrait of Katie Mitchell (I'm going to stop mentioning her all the damn time now, I promise. ... Unless I find a really adorable picture of Ben Whishaw), and I finished it at seven. It is almost ten full pages and eleven and a half with works cited, so all I need to do is go back and edit and we'll be right as rain.

Anyway. I was kind of lulling after I finished my paper, because ZZZZZ but then I checked my flist for something to do, and lo, there was wank. Christmas has come early.
dramaturgy: ([Panic] Sins Not Tragedies.)
So having never seen Katie Mitchell's production of The Seagull at the National (I was about half a year too late, DAMNIT), I have to say that I probably shouldn't talk, but I read this (rather negative) review:

As her loveless, emotionally disturbed son, Ben Whishaw makes a wilfully cool and composed Konstantin. Perhaps the fact that Crimp has cut his role down to raw basics explains why Whishaw expresses such muted grief or suicidal despair. He no more matures or changes than does Hattie Morahan's dazzled but insufficiently harrowed Nina.
Okay I could buy the point about Nina, and it's been awhile since I've actually read the play in depth so feel free to correct, but isn't the point of Konstantin that he DOESN'T change and he ISN'T going to change? He can't be anything but he is, and turns out that's not so good for him as an artist, and isn't that what drives him to take his own life?

Eh. I always do this. I always want to defend meanies who look down on something I like/likely would have liked. I am very picky when it comes to my work, and easy to please when it comes to everyone else.


(I have the first paragraph, and that's the easiest part, right? Right?)
dramaturgy: (Default)
I have a lot of things that are making me feel like I'm chewing on tinfoil right now, but here, have something that makes me very, very happy.

I love Katie Mitchell. She is an awesome director and if I were to wake up one morning and be just like her, I don't think I could find it in myself to be sad about it. Because she does things like this:





It's film. It's theatre. IT IS BOTH AND IT IS GLORIOUS.

And she says stuff like this:
If for example, there are four themes in a play, a director will have an affinity with one theme, possibly with two. If you just direct one or two of those themes, you will be directing only fifty percent of the play.

SING IT SISTER.

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