So I woke up this morning, and I officially have a cold. I now have some Sudafed but this morning? Oh man. I was so congested I thought I'd swallowed all of the cotton pads that I use for my Proactiv treatment. :x It was not good. At least Allison has the same affliction so that a) I have someone to share in my mistery and b) I don't have to worry or feel guilty about getting her sick.
So today started at St. Stephen of Walbrook church on Cannon Street. It's known as Christopher Wren's masterpiece, although I'm sure that'll mean next to nothing for a lot of you. (Don't worry, I'm sort of right there with you.)
( Yet another Wren church. )
Thereafter, we hightailed it to St. Paul's, which is only a few blocks away. Of course, when you're chasing Sarah and trying not to be run over by Very Important Businessmen on cell phones and double decker buses, you feel like you're playing a massive game of Frogger and it makes the journey much longer. We took a short break, and I was witness to yet another example of how the birds were going to have the last laugh.
( The birds will have the last laugh, you know. )
So Sarah gave us the obligatory history. Previous cathedrals, blah blah blah. The one that's standing now was built after the previous one was destroyed in the London Fire in 1666. There was a brief, half-joking discussion about Wren starting the fire because he wanted to take down the old cathedral in order to build a new one because he felt that if you patched up the one that stood there previously, it would be an eyesore. He was losing in the committee talks, but then the Fire sort of took care of that. Looks sort of suspicious, neh? ;)
( No pictures of the interior, but meh. )
So part of our deal was that we were going to go up. Up and up and up and up into galleries. Despite my misgivings and trouble with heights, I gave it a try. I made it up one hundred and forty some steps to the Whispering Gallery, which is just inside of the inner dome (there are two domes on St. Paul's, the inner one is the one that you see from inside the church and is proportionate to the rest of the building, and the outer one is the one you can see in the skyline). Yeah. It wasn't happening. I was getting vertigo like nobody's business, was in a cold sweat, and had to be helped to the exit by a very nice man who worked at the cathedral by the name of Terry. He basically just made sure that I didn't fall over.
Also, we went into the crypt. Horatio Nelson is buried in the crypt, in a sarcophagus confiscated by Henry VIII from Cardinal Wolsey (I know, I know), although when we were prompted to guess who it had been confiscated from, someone said Napoleon. And I think that would be the most hilarious thing ever. He has a monument upstairs (which Wren was very much against, but by the time they started putting statues in he was in no position to say anything about it, as I think he might've been dead), too, which is pretty nice. Everyone's favorite one-eyed, one-armed admiral. Of course, Wellington is also buried there, and his monument is HUGE. I mean, Nelson has a pretty nice statue of him looking heroic and being shown to two little boys in naval suits by Fame, but Wellington's monument? It is ridiculously huge. I'm sure Nelson's up there somewhere sniffing, "Poncy sod" while Wellington says, "Yes, well, who's got that monstrous column in that bloody square? Overcompensator."
Tonight I saw Coram Boy again. For a moment I was afraid that I had just been particularly hormonal or something and that it wouldn't be nearly as good this time around, but I was so wrong. If anything, it was better. I gave them the standing ovation they deserved this time, everyone else be damned, and. Just, wow. My feelings are so big that they feel uncontainable, like I'm going to fly into pieces. It's like trying to talk about God. I just can't do it.
I did send the cast, crew, and production team a congratulatory thank you via the box office, because I felt that they deserved to be thanked. I noticed a lot of new things, new interactions and tensions that I think I missed in the earlier viewing, and got to look up into their fly tower. I envy them their fly tower. And their budget. But I'd settle for the fly tower. Coram Boy is going to Broadway, and I really hope that it does well and runs for a very, very long time so that I can make it there to see it.
So today started at St. Stephen of Walbrook church on Cannon Street. It's known as Christopher Wren's masterpiece, although I'm sure that'll mean next to nothing for a lot of you. (Don't worry, I'm sort of right there with you.)
( Yet another Wren church. )
Thereafter, we hightailed it to St. Paul's, which is only a few blocks away. Of course, when you're chasing Sarah and trying not to be run over by Very Important Businessmen on cell phones and double decker buses, you feel like you're playing a massive game of Frogger and it makes the journey much longer. We took a short break, and I was witness to yet another example of how the birds were going to have the last laugh.
( The birds will have the last laugh, you know. )
So Sarah gave us the obligatory history. Previous cathedrals, blah blah blah. The one that's standing now was built after the previous one was destroyed in the London Fire in 1666. There was a brief, half-joking discussion about Wren starting the fire because he wanted to take down the old cathedral in order to build a new one because he felt that if you patched up the one that stood there previously, it would be an eyesore. He was losing in the committee talks, but then the Fire sort of took care of that. Looks sort of suspicious, neh? ;)
( No pictures of the interior, but meh. )
So part of our deal was that we were going to go up. Up and up and up and up into galleries. Despite my misgivings and trouble with heights, I gave it a try. I made it up one hundred and forty some steps to the Whispering Gallery, which is just inside of the inner dome (there are two domes on St. Paul's, the inner one is the one that you see from inside the church and is proportionate to the rest of the building, and the outer one is the one you can see in the skyline). Yeah. It wasn't happening. I was getting vertigo like nobody's business, was in a cold sweat, and had to be helped to the exit by a very nice man who worked at the cathedral by the name of Terry. He basically just made sure that I didn't fall over.
Also, we went into the crypt. Horatio Nelson is buried in the crypt, in a sarcophagus confiscated by Henry VIII from Cardinal Wolsey (I know, I know), although when we were prompted to guess who it had been confiscated from, someone said Napoleon. And I think that would be the most hilarious thing ever. He has a monument upstairs (which Wren was very much against, but by the time they started putting statues in he was in no position to say anything about it, as I think he might've been dead), too, which is pretty nice. Everyone's favorite one-eyed, one-armed admiral. Of course, Wellington is also buried there, and his monument is HUGE. I mean, Nelson has a pretty nice statue of him looking heroic and being shown to two little boys in naval suits by Fame, but Wellington's monument? It is ridiculously huge. I'm sure Nelson's up there somewhere sniffing, "Poncy sod" while Wellington says, "Yes, well, who's got that monstrous column in that bloody square? Overcompensator."
Tonight I saw Coram Boy again. For a moment I was afraid that I had just been particularly hormonal or something and that it wouldn't be nearly as good this time around, but I was so wrong. If anything, it was better. I gave them the standing ovation they deserved this time, everyone else be damned, and. Just, wow. My feelings are so big that they feel uncontainable, like I'm going to fly into pieces. It's like trying to talk about God. I just can't do it.
I did send the cast, crew, and production team a congratulatory thank you via the box office, because I felt that they deserved to be thanked. I noticed a lot of new things, new interactions and tensions that I think I missed in the earlier viewing, and got to look up into their fly tower. I envy them their fly tower. And their budget. But I'd settle for the fly tower. Coram Boy is going to Broadway, and I really hope that it does well and runs for a very, very long time so that I can make it there to see it.